Author: aliactast

FRANKENSTEIN



I could write essays on Frankenstein. I could likely write books on Frankenstein. For February I’ve decided to talk about some classic horror novels and where better to begin than Frankenstein.

Here is my most recent take after my most recent reading of Frankenstein:

I feel bad for Captain Robert Walton. Here he is, lonely, an innocent, just doing some minor vanity expedition-ing to the North Pole. He’s a scientist, probably not a colonizer even if he is British, and he’s lonely. He’s real, real lonely. He’s been on this ship a while. His men are losing faith. His sister probably thinks he’s a loser. He just wanted to be a writer. He just wanted a friend. He just wanted to go to the North Pole so he could say he did something worthwhile with his life.
And then there he is! A friend appears! Walton’s prayers for companionship at the edge of nowhere miraculously —oh wait, It’s Victor Frankenstein.

Victor Frankenstein then spends, like, forever telling Walton all of the minutia of his life and crimes with such a minimal level of empathy or remorse except for the consequences Victor has received that you just want to quietly slip Walton a book on narcissistic abuse. Just as a head’s up.

Victor Frankenstein, who isn’t a doctor. He’s a med student who fucks around and finds out, yet somehow still thinks the world is unfair to him specifically.

And then! He dies! And Walton is just sitting there, having had the ultimate vicarious trauma experience, alone once again. And he thinks to himself, well, that was something. Ravings of a mad man I hope —oh, nope, there’s Adam burning Victor’s body that he stole. It was all real. Well damn.

I feel bad for Captain Robert Walton.

Review: Evidence of the Affair

Evidence of the Affair
Taylor Jenkins Reid

A final short story to ease you into the New Year, also available on Amazon Prime, at 88 pages this is a very quick read due to its epistolary style.
The story consists of letters sent back and forth between two couples; Carrie Allsop writes to David Mayer after determining that their respective spouses are cheating and in a relationship, asking if he has found any evidence to confirm. The story follows both correspondence between Carrie and David as they come to find emotional support in one another through betrayal trauma and the correspondence between their spouses in letters that Carrie and David have found.
This story is very bittersweet for me as it puts a very hopeful perspective on betrayal trauma, over coming betrayal through improving supports. That’s not always possible and makes the story feel like a fantasy. As someone who’s dealt with significant betrayal trauma and PTSD, it is a bit of an escapism. You cheer for Carrie and David as they self actualize and grow close to others, living in defiance of their relationships.

Review: My Evil Mother

My Evil Mother
Margaret Atwood

Another short story, easing into the New Year. At 32 pages, another Amazon Prime original story, My Evil Mother details the relationship between mother and daughter and how one bestows strength. I loved the quirky but serious depiction of mother and daughter, the interwoven urban legends of witches and trauma, abandonment, and perseverance.
The depiction of the mother’s self assured, unwavering confidence as her daughter interpreted it pitted against her reality is both heartbreaking and aspirational.

Review: The Autobiography of a Traitor and a Half Savage

The Autobiography of a Traitor and a Half Savage
Alix E Harrow

This short story, at about 20 pages, has such vivid and beautiful atmosphere which I’ve come to expect in Harrow’s work. She has the ability to create such a complete world in very few pages.
The story follows Oona, a mixed indigenous woman who is forced by circumstance to become a mapmaker for colonizers in order to secure her younger brother’s safety. It is a gorgeous story of culture and revenge and I truly love Harrow’s ability to create a complete life and world rooted in some primal understanding of human behavior.

Please give it a read.

Review: It Waits in the Woods

It Waits in the Woods
Josh Malerman
From the Creature Feature collection for Amazon available free through Prime as a member

From the same collection as The Pram by Joe Hill, at 51 pages this novella follows a young woman as she seeks answers about her sister’s disappearance three years before. A budding documentarian, Brenda goes into the wilderness with a theory about a creature there that may be responsible for her sister’s disappearance and death; a death which Brenda has already accepted and which her parents have openly blamed her for.
I had initially been reading this story them stopped myself and started over because I felt I was reading it too quickly. It’s definitely a story to be savored so that the build is satisfying. It follows traditional horror novel plotting and slow, crawling progress buffered by world building.
On my second reading, I really enjoyed the way the world was plotted. It’s not something to listen to idly as an audio book or skim over. It also featured a first If seen in quite a while—an actual goddamn monster. Harkening to creature features it’s a wonderful homage to horror stories of 70s film when much of mainstream horror transitioned from Universal Monsters to the unknown, human, and perverse.



10/10, read it babes

Fuck off 2023!

If you aren’t aware, earlier this year I started a youtube channel (@danymadethis) about writing research! I’m going to start featuring corresponding blog posts to go with the video essays that update once a month; with a ton of short video crap in between to let you know what drain my brain is meandering around.

There’s also a threadless shop! danymadethis.threadless.com full of random art prints you can put on stuff!

Here is my 2023 recap for favorite reads: https://youtu.be/jFlPNb7DWDY

Starting out 2024 I plan to review short stories for January to ease you into good reading habits for the new year 😉

2023 was a terrible year, and I had thought 2022 was bad. I am glad to tell it to fuck off

I hope it treated everyone else better, and that 2024 is a drastic improvement

Review: Orfeia

Orfeia
Joanne Harris

Finishing out the year with Joanne Harris yet again, and far from the only Joanne Harris novella I read after indulging in Honeycomb, Orfeia stuck with me in a biting way.
I find with Harris’s work I have a tendency to incorporate it into my understanding of a given mythology. Blue Salt Road is how I always saw selkie stories, isn’t it?
Orfeia was unique and beautiful. I absolutely recommend it, her prose style reminding me of George MacDonald or Edgar Rice Burroughs but deeply cemented in a network of fae stories with Harris has been weaving through her many novellas and Honeycomb.
Orfeia follows a mother who has lost her adult child and is willing to travel into the land of the dead, through various fae traps, to restore her.
It was absolutely lovely.

Review: You Feel it Just Below the Ribs

You Feel it Just Below the Ribs
Jeffrey Cranor, Janina Matthewson

Wheewwww
I loved it. I struggled with it a bit because it feels at times too unreal and at other times too close to home, which I imagine is exactly the sliver of reality is seeks to exist between.
I have realized something very crucial in reading this book; I would follow Jeffrey Cranor into the ocean. Which I imagine would be terrifying for him, but I love the biting realism in this dystopian thriller.
Typically, I am not a fan of books told in journal format, it’s just not my preference, but this was excellently written, sci-fi horror.
I absolutely recommend it for people who like darker, more realistic portrayals in their fiction.

Review: SisterSong

Sistersong
Lucy Holland

This book was beautiful; a retelling of the Twa sisters, it follows three siblings through an Arthur-adjacent tale with links both to real history and myths in The Matter of Britain.
As an Arthurian nerd (read: everything nerd), I loved seeing a story I wasn’t familiar with, a murder ballad that I was familiar with, an amazing queer representation, and a new take on Merlin.
The story manages to do all of it without beating you over the head with its source material, instead guiding through a world that feels totally Holland’s creation. The narrative and characters are remarkably organic and conflicted.
I would absolutely recommend it, especially to a queer audience which all too rarely sees representation outside of mundane coming out stories.