Category: update

Ah,
The tale of young lovers, divided by a wall, speaking through a niche to one another, taking into confidence those that contrive to have the sweet lady fake her death using a mysterious poison; the lad misunderstanding then attempts his life—I am of course talking about the Count of Monte Cristo.

Prepare to be subjected to several weeks on The Count of Monte Cristo, the book that is actually several books and one diatribe on the belief that Lord Byron was actually a vampire, which I read out of spite.

At 1400 pages it may be the longest book I’ve read.

In honor of the eclipse I reread Dolores Claiborne!

I know, I said I’d never review Stephen King and I’m not!  I’m celebrating women murdering their abusive husbands during an eclipse!



An accident can be an unhappy woman’s best friend.

Hooray for Dolores Claiborne!

Fuck off 2023!

If you aren’t aware, earlier this year I started a youtube channel (@danymadethis) about writing research! I’m going to start featuring corresponding blog posts to go with the video essays that update once a month; with a ton of short video crap in between to let you know what drain my brain is meandering around.

There’s also a threadless shop! danymadethis.threadless.com full of random art prints you can put on stuff!

Here is my 2023 recap for favorite reads: https://youtu.be/jFlPNb7DWDY

Starting out 2024 I plan to review short stories for January to ease you into good reading habits for the new year 😉

2023 was a terrible year, and I had thought 2022 was bad. I am glad to tell it to fuck off

I hope it treated everyone else better, and that 2024 is a drastic improvement

Going overboard, I fear,

I decided to learn things about Jane Austen because I don’t know things about Jane Austen and people seem to find issue with the fact that I don’t know things about Jane Austen—Let’s go!

So first I read Pride and Prejudice because that seemed like a thing I should do at some point in my life and now I can say I have. Then I read Emma and then Sense and Sensibility. I’m also pretty familiar with the large dearth of adaptations. I watched two separate Pride and Prejudices, Emma (2020), Sense and Sensibility (1995), and also Mansfield Park (1999). Then I looked up biographical things about Jane Austen, listened to a very nice antique bookseller who’s voice made me tired —so now I know things about Jane Austen for the people who said I should know things about Jane Austen.

Austen’s characters are likable for being unrealistic yet ringing true to certain archetypes. My least favorite character is likely Mrs. Bennett for that very reason.

Austen’s characters are awkward and often mistaken, making proud assumptions and then baffled when they find out they’re wrong. They’re very certain of their world view based in their regency propriety, and then often proven wrong—but not so wrong as to upend society. It’s a comfortable wrong that can be solved happily.

Ongoing themes of marriage and the importance of marriage and being pressured toward marriage and also marriage pervade the books which act satirically –especially considering that Jane Austen herself never married, made her own fortune, and was highly independent. Her heroines are often portrayed as witty, clever, kind spirited—arguably virtues which Austen felt she herself had or wished were more prominent.

Quick aside! I tried to watch Persuasion (2022). No.

Anyway, for the most part all of Austen’s characters are deeply embroiled in the values of their society despite that that would limit their independence. Acknowledging this is one of the ways which Austen stands apart from other romantic authors of the era who leaned in more heavily to the romantic aspect itself; while Austen is regarded as romance by many people it is important to note that the heroines are considered strong because they are not female characters who swoon. Many of Austen’s female characters, or at least her protagonists, are rational. This itself is groundbreaking. Sadly.

Austen’s books were, of course, initially published anonymously due to the very, very rampant sexism in the society. It’s important to note, Austen belonged to the social class and circles which she satirized.

I found surprisingly little about Ms. Austen herself. There are fictionalized versions her life, or course, but as for intimate details they are surprisingly harder to come by. Often, instead, there are fictional accounts of her which paint her as one of her heroines. They are mostly very romantic in nature while missing the ship on what Austen had done differently in romance as a genre. People seem to think love plus witty equals Austen, rather than logic plus culture.

My favorite character was of course Mr. Knightley who is the only character in any of the titles I became familiar with who at any point acknowledged classism as a bad thing. He still lives within and supports the class system, but he is consistently kind to people who could be seen as his lesser. He scolds Emma and rebukes her when she insults a spinster, he tries to protect the courtship between Mr. Martin and Harriet. He’s often considered the hardest working of Austen’s heroes, a prominent landowner but with little liquid asset, and in marrying Emma who has more money, their relationship is seen as one of the most egalitarian in Austen’s works.

Austen lasts and gets adapted again and again, I think, because of the parallels in story structure and archetypes to Shakespeare. Much like with Shakespeare, it can all be in the eye of the beholder.

…and now it can be said I know a decent amount about Jane Austen.

if I’m being honest, 2

In middle school I did a book report on Stephen King’s The Tommyknockers.

I remember only a few things about the book because that was a while ago now. I remember that people were batteries, that it had an unhappy ending, and that there was a female character who preferred dildos to men.

I believe she was meant to be an unlikeable character but that didn’t hit with me, that seems like a Stephen King problem. I read the line about her preferring her vibrator and nodded and said ‘girlboss’.

What’s important about this is that my English teacher pulled me aside to tell me that I needed to diversify my reading. This is a nice way of putting it. That’s generously assuming what he meant. What he told me was to stop reading horror and go read something ‘nice’.

He didn’t think horror or sci-fi were worth discussing academically.

What kind of teacher tells a child punching way above the rest of the class’s weight to stop reading? Well. A lot of them did. I went from not being able to read to reading 600 page books in short order and I assure you: no one gave a shit.

I feel like many people promote these gushy stories about really inspiring teachers and influential figures in their childhood that helped to push them through —-it just has never been my experience.

This is an extremely mild example of that.

I think those gushy stories have appeal because in reality there’s so few of them.

I didn’t like school. I didn’t apply myself. I didn’t see a point. I was always being discouraged for being too different, or weirdly for being too introverted. Nothing kills connection with someone like demanding it. So I stopped trying. School was just something I did for a portion of the day.

What I did, what I thought taught me anything worthwhile, was reading and looking things up for myself.

I envy, in a way, those people who had a mentor or just a helping adult, but I appreciate that I never learned to rely on that, too.

I probably have more horror stories than most when it comes to bad experiences as a child with adults. I didn’t have a good experience with teachers, really, beyond the superficial, until they were called professors.

Maybe it was that I was old enough or mature enough to put aside my absolute distrust. But I had a professor who convinced me to double major, who convinced me to take more literature classes, who came up behind me while I sat in the student center with a cup of coffee, looked over my shoulder, and said “Red heads, huh?”

I’m still embarrassed about that but won’t elaborate because it’s funnier this way.

Because I took that second major, I had a thesis advisor who used to yell at me —you always need a theoretical framework! You can’t just present evidence for itself! Don’t let anyone draw their own conclusions! Treat your reader like you’re the goddamn expert!

It flew in the face of my counseling training.

She made me read dozens of philosophers trying to figure out where I fit into things. I fought her every step of the way, and she fought with me, and I called her ‘The German’. She asked me why I bothered double majoring, she was always on my ass that I should work in the arts and stop with the psych major. She resented psychology as a field and I was treating her field like a hobby. She said I needed to get serious.

Then when I had finished and I stood in front of that room of professors and students and took questions, and did that whole bit, I told her, “I think I finally get Foucault,” and she hugged me.

I think there’s a deeper lesson in what she was getting at than just telling me to root myself in a school. You need your people, you need to define your opinions. A lot of writers don’t know what they’re talking about until they’re done talking. Opinions solidify in the editing process. There’s a great James Baldwin quote about it, one of my favorite quotations about writing at all,

When you’re writing, you’re trying to find out something which you don’t know. The whole language of writing for me is finding out what you don’t want to know, what you don’t want to find out. But something forces you to anyway.”

It’s why people are drawn to writing. It’s about communicating. The whole process of writing a novel is finding a topic, screaming about it, and then looking around and saying, “You too?”

I’d never really had any opportunity to figure out who else agreed with me, or who else had had my opinions before, because I never had any adult sit with me before and say ‘you don’t know shit’ in a patient way instead of a condescending one. So much of how we talk to children comes from a culture of shame while knowing that harshness accomplishes nothing. There is nothing in life that benefits from being harsh about it.

And that confuses people, people who can’t delineate between aggressive and assertive. That professor never went easy on me, and she called me an idiot more than once, but being gentle and being patient does not mean being easy. And too often people see someone ‘going easy’ on someone else and they feel that they have to step in, to bring the harshness, because that’s all they know. They don’t acknowledge that it just doesn’t work.

Every person I’ve ever talked to who’s been depressed is harsh on themselves and every other person that they come across, even if it’s in the quietest voice. Being kind isn’t about how you say it, it’s about what you’re really saying. People want things wrapped up in these too cushy, too gentle, constant streams of validation or they want punishment and to punish—because they aren’t thinking of the reality of a situation, they’re thinking of shame.

The world is a much better place when you’re actually aware of it.

wuh oh

Hey! You don’t know this about me—why would you? I’m a stranger—but growing up I listened to a massive amount of opera and symphony orchestras. My grandfather always played and sang opera for me and after he died there was a local access channel manned by a nearby art college. They would blast opera recordings in the mornings; any recordings they could find of symphonies, presumably public domain music set to their art installations.

It was short lived and I’m sure no one but the students who made it remember it—except me. I saw it. I watched it. I have always had a delightful amount of insomnia and I would just crawl downstairs before school and sit on the edge of our weirdly positioned couch and watch operas and ballets.

I have extremely strong opinions on ballet and opera–which I share with practically no one. No one cares. That’s cool. It’s not what my peers could relate to. I grew up being told that it was pretentious or stuffy or disengaged; I don’t play any instruments that really lend themself well so I didn’t really have anyone to talk to about that branch of music. It’s not something I learned to advertise.

In the past year, as life has taken on different courses for me, I have swung back into listening to symphony orchestras and also just a lot more music in general. I love music and times that are the worst in my life are usually ones where I look back and realize that I somehow got disconnected from music.

I both know that music alleviates a lot of negativity in my life and I somehow lose that thread. I will just stop listening to music altogether if I’m stressed out enough.

So I’ve made a decision, something…fun…I’m going to document.

I’ve been fairly isolated between moving several times, changing careers, and the covid that everyone is still dealing with regardless of how seriously they take it or not. I am kind of starting at the bottom, and that means….well. I guess for a normal person it would mean finding new friends or something. For me, a crazy person, it means I’ve decided I need a faux fur coat.

Why keep pretending anymore? I’m going to steal this man’s identity. He can’t stop me, he’s dead.

Reviews:Dauntless Path books by Intisar Khanani

Intisar Khanani is getting my spotlight beginning this year because in the last week of 2022 I picked up a copy of Thorn that had been sitting in my recommended pile for a few months, began reading, and promptly read Thorn, The Theft of Sunlight, A Darkness at the Door, Brambles, and I pre ordered The Tears of a Dragon which comes out January 10.

I’ve also heard tell that Riha of the Woods is out there but not yet gotten my grimy little hands on it.

I’m afraid I’ve run head first into a problem I have when I find something that I like. I always think of the years of work that went into something which I’ve just devoured mercilessly. It’s a testament to how well written, plotted, and executed Dauntless Path is that was a labor of years feels second nature already after only one week.

The Dauntless Path books and world are illuminated. The pacing and characterization are wonderful. 

Between Thorn and The Theft of Sunlight the narrative shifts protagonists from Alyrra, a princess in a retelling of Grimm’s The Goose Girl, to Rae —which initially I was concerned would mean inconsistency in narration but which instead created a wonderful launching board from Thorn and its introduction to the world building of Dauntless Path rooted in fairy tale, off into a full exploration of the world presented in Thorn, the ramifications of its politics and base assumptions. 

It’s everything you would hope for in a middle grade fantasy, with tones that initially reminded me of Dianne Wynne Jones.

I couldn’t recommend it highly enough if you’re looking for a fantasy series to plug away in for an engrossing escape. I look forward to what comes next and will likely devour that, too.

hello!

and very happy new year!

2022 was an extremely difficult year with some of the most intense ups and downs I have experienced between chaotic issues within my family that have deeply embedded themselves in my psyche (neat!) while also being one of the most productive, satisfying years of my life in terms of creative work!

I had initially put this blog on hiatus in September for travel and then didn’t return until now because of the tumult of life, but reflecting on 2022 I can say without a doubt that I am proud of the things I’ve accomplished.

In 2022 I finished first drafts for Nimue, Lotus Eaters, Woodstock,

I finished a second draft and (da da da!) audio transcript of Sagittarius,

I have been working tirelessly on my heartsore that is the final stages of editing for Aliactast,

and I am well into the third act of Dautless House’s manuscript!

I’ve gotten a boatload of short stories out in the wild and I’ve gotten to work on some lovely editing projects which I’m happy to have been a part of.

Here’s to hoping that 2023 is the year we make an honest wo/man of me in publishing.

I’m looking into be more active on social media (@danymadethis) and in networking, as well as hopefully keeping up the weekly (as as weekly as I can get) book reviews. I’m always grateful for reading recommendations and, o course, for you people.

happy new year, may 2023 not suck

Alo!

hello and welcome.

I’ve recently gone through and gutted this blog (which was specific to one writing project I was working on), deleting *hundreds* of posts that were mostly me rambling about long-gone story ideas, uncredited art I had saved for inspiration pictures, and the many posts discussing the amount of tired that I am.

From here out, this blog will be the following:

Occasional free short stories and poems

Updates on the publishing process and projects

Friday book reviews!

***On a quick hiatus 2022 for travel

kloveyoubye!

–dmd