The Night Circus
Erin Morgentstern
This was a reread for me, which typically I don’t reread books so soon after the first time I’ve read them. It tends to be a decades later ‘oh yeah, I can appreciate this differently now’ vibe. But I read this book for the first time in 2020 and I’ve probably aged a few decades between them and now.
I remember, both times I’ve read it, immediately thinking of the Hunchback of Notre Dame. The opening lines are from the perspective of and detailing the Night Circus itself, the edifice, and I remember the first time I read it being drawn in by this comparison. It’s something that promises something unusual.
What I find funny, having read this book twice, is that the characters are so crisp and well developed while giving the smallest amount of detail necessary. That’s how a mysterious air is achieved, after all, but it really does smack you in the face to realize how little you know and how much you still attach yourself on.
My opinion of certain aspects has changed given the time and life experiences I’ve had between readings; I am far more sympathetic to Isobel the scorned card reader; far less sympathetic to Tsukiko who betrayed her love.
I still love the man in grey and Chandresh.
The characterization is evocative. The storytelling and pacing; the sense of being out of time in several aspects, is something which manages to draw you in while keeping you separated, exactly as a circus should.
Plus, who doesn’t live a story that comes with an aesthetic?
It’s an absolute recommendation
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